In 1935, Julio Gonzalez participated in the groundbreaking exhibition “Thèse, Synthèse, Antithèse” at the newly opened Kunstmuseum Luzern, along with his friends and colleagues Calder, Giacometti, Kandinsky, Miro and Picasso (among others). While modern art was being derided as “degenerate” in Nazi Germany, this exhibition celebrated it. To commemorate the 90th anniversary of this groundbreaking […]