{"id":9592,"date":"2022-11-04T17:29:00","date_gmt":"2022-11-04T16:29:00","guid":{"rendered":"https:\/\/juliogonzalez.org\/?p=9592"},"modified":"2022-11-04T18:05:18","modified_gmt":"2022-11-04T17:05:18","slug":"julio-gonzalez-in-the-collection-of-the-fondation-marguerite-et-aime-maeght-les-arcades-espace-dexposition-antibes-nov-10-2022-jan-8-2023","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2022\/11\/julio-gonzalez-in-the-collection-of-the-fondation-marguerite-et-aime-maeght-les-arcades-espace-dexposition-antibes-nov-10-2022-jan-8-2023\/","title":{"rendered":"“Julio Gonz\u00e1lez in the collection of the Fondation Marguerite et Aim\u00e9 Maeght”, Les Arcades Espace d’Exposition, Antibes, Nov. 10, 2022-Jan. 8, 2023"},"content":{"rendered":"\n

The exhibition \u201cJulio Gonz\u00e1lez in the collection of the Fondation Marguerite et Aim\u00e9 Maeght\u201d, organized by the Mus\u00e9e Picasso Antibes at Les Arcades \u2013 Espace d\u2019Exposition in Antibes is set to open on November 10, 2022. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

This exhibition, composed of 44 drawings and two sculptures, highlights the impressive ensemble of Julio Gonz\u00e1lez\u2019s works housed at the Fondation Maeght in Saint-Paul-de-Vence.  The drawings span the entirety of Gonz\u00e1lez\u2019s career, from his early classicizing depictions of country life, to his later faces and figures on the threshold of abstraction.  These later drawings–often sketches for his revolutionary sculptures–, are also works of art in their own right.<\/p>\n\n\n\n

In addition, two of Gonz\u00e1lez\u2019s revolutionary iron sculptures housed by the Foundation Maeght are on display: \u201cPersonnage Debout (Standing figure)\u201d (1932-1935), and \u201cDaphne\u201d (1937). <\/p>\n\n\n\n

This exhibition, which testifies to Julio Gonz\u00e1lez\u2019s remarkable talent and vision, also pays tribute to Roberta Gonz\u00e1lez\u2019s generosity and successful efforts to ensure that her father\u2019s talent be widely and enduringly recognized and appreciated the world over. The works displayed were donated to the Fondation Maeght by Roberta Gonz\u00e1lez in 1972. This donation consisted not just of three sculptures and 50 drawings by Julio Gonzalez, but also 40 drawings by Joan Gonzalez, Julio\u2019s older brother whose promising career was cut short by his untimely death in 1909, three paintings and 45 drawings by Roberta Gonzalez,–a successful artist herself–, and a painting by Roberta\u2019s first husband, the abstract painter Hans Hartung.  This prestigious ensemble was one of the most important early donations made to this institution inaugurated in 1964.<\/p>\n\n\n\n

The organization of the exhibition by the Mus\u00e9e Picasso Antibes speaks to the artistic and personal ties that linked these two compatriots and pillars of 20th century art.<\/p>\n\n\n\n

\u201cJulio Gonz\u00e1lez dans la collection de la Fondation Marguerite et Aim\u00e9 Maeght\u201d will be on display at Les Arcades \u2013 Espace d\u2019Exposition in Antibes through Jan. 8, 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

The exhibition \u201cJulio Gonz\u00e1lez in the collection of the Fondation Marguerite et Aim\u00e9 Maeght\u201d, organized by the Mus\u00e9e Picasso Antibes at Les Arcades \u2013 Espace d\u2019Exposition in Antibes is set to open on November 10, 2022. This exhibition, composed of 44 drawings and two sculptures, highlights the impressive ensemble of Julio Gonz\u00e1lez\u2019s works housed at […]<\/p>\n","protected":false},"author":8,"featured_media":9595,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56],"tags":[],"class_list":["post-9592","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/9592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=9592"}],"version-history":[{"count":2,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/9592\/revisions"}],"predecessor-version":[{"id":9598,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/9592\/revisions\/9598"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media\/9595"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=9592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=9592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=9592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}