{"id":9528,"date":"2022-09-02T11:48:22","date_gmt":"2022-09-02T10:48:22","guid":{"rendered":"https:\/\/juliogonzalez.org\/?p=9528"},"modified":"2022-09-02T12:54:05","modified_gmt":"2022-09-02T11:54:05","slug":"roberta-gonzalez-the-art-of-de-voler-de-ses-propres-ailes-galerie-espace-des-femmes-paris-9-au-30-sept-2022","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2022\/09\/roberta-gonzalez-the-art-of-de-voler-de-ses-propres-ailes-galerie-espace-des-femmes-paris-9-au-30-sept-2022\/","title":{"rendered":"“Roberta Gonz\u00e1lez, the art of flying with her own wings”, galerie Espace des femmes, Paris, Sept. 9-30, 2022"},"content":{"rendered":"\n
\"\"
Roberta Gonz\u00e1lez, La Frise<\/em>, 1967, oil on canvas, 200 x 50 cm, coll. Gonzalez Administration<\/figcaption><\/figure>\n\n\n\n

Roberta Gonz\u00e1lez is featured in an exhibition at the galerie Espace des Femmes (35 rue Jacob, Paris 6th district) from September 9-30, 2022. This exhibition, entitled “Roberta Gonzalez, l’art de voler de ses propres ailes”<\/a> (or “Roberta Gonz\u00e1lez, the art of flying with her own wings”) retraces her personal affirmation as an independent artist through a selection of works focused on two primary subjects: the female figures and birds. From her early works to the colorful, dynamic paintings of her mature phase, the exhibition shows how Roberta Gonzalez develops a personal style characterized by a unique synthesis of figuration and abstraction. <\/p>\n\n\n\n

The exhibition will be on display from September 9-30 at the galerie Espace des femmes (35 rue Jacob, Paris 6th district).<\/p>\n","protected":false},"excerpt":{"rendered":"

Roberta Gonz\u00e1lez is featured in an exhibition at the galerie Espace des Femmes (35 rue Jacob, Paris 6th district) from September 9-30, 2022. This exhibition, entitled “Roberta Gonzalez, l’art de voler de ses propres ailes” (or “Roberta Gonz\u00e1lez, the art of flying with her own wings”) retraces her personal affirmation as an independent artist through […]<\/p>\n","protected":false},"author":8,"featured_media":9567,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56],"tags":[],"class_list":["post-9528","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/9528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=9528"}],"version-history":[{"count":3,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/9528\/revisions"}],"predecessor-version":[{"id":9532,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/9528\/revisions\/9532"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media\/9567"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=9528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=9528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=9528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}