{"id":9344,"date":"2022-06-10T16:31:44","date_gmt":"2022-06-10T15:31:44","guid":{"rendered":"https:\/\/juliogonzalez.org\/?p=9344"},"modified":"2022-07-22T09:58:39","modified_gmt":"2022-07-22T08:58:39","slug":"julio-gonzalez%ef%bf%bc-in-the-picasso-century-national-gallery-of-victoria-melbourne-australia-june-10-oct-9-2022","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2022\/06\/julio-gonzalez%ef%bf%bc-in-the-picasso-century-national-gallery-of-victoria-melbourne-australia-june-10-oct-9-2022\/","title":{"rendered":"Julio Gonz\u00e1lez in &#8220;The Picasso Century&#8221;, National Gallery of Victoria, Melbourne (Australia), June 10-Oct. 9, 2022"},"content":{"rendered":"\n<p>Julio Gonz\u00e1lez&#8217;s work, rarely seen in Australia, is now on display at the National Gallery of Victoria in &#8220;The Picasso Century&#8221;.  This important exhibition, mounted in partnership with the Mus\u00e9e national Picasso Paris and the Centre Pompidou, confronts artwork spanning the entirety of Pablo Picasso&#8217;s long career with that of his contemporaries, including his friend and compatriot Julio Gonz\u00e1lez.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"330\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.27.23-1024x330.png\" alt=\"\" class=\"wp-image-9349\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.27.23-1024x330.png 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.27.23-300x97.png 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.27.23-768x247.png 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.27.23-600x193.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.27.23-145x47.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.27.23-24x8.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.27.23-36x12.png 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.27.23-48x15.png 48w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.27.23.png 1379w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Picasso was early to recognize the extraordinary talent of Julio Gonz\u00e1lez, who used his expertise as a metalworker to revolutionize iron sculpture by managing to &#8220;draw in space&#8221; with iron rods, for example in &#8220;T\u00eate longue tige (Long stemmed head)&#8221; (1932), a highly abstracted depiction of the human head, on display in the exhibition.  <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"1024\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/tete-longue-tige-678x1024.jpg\" alt=\"\" class=\"wp-image-4265\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/tete-longue-tige-678x1024.jpg 678w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/tete-longue-tige-199x300.jpg 199w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/tete-longue-tige-600x906.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/tete-longue-tige-139x210.jpg 139w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/tete-longue-tige-16x24.jpg 16w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/tete-longue-tige-24x36.jpg 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/tete-longue-tige-32x48.jpg 32w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/tete-longue-tige.jpg 1062w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><figcaption>Julio Gonz\u00e1lez, T\u00eate longue tige (Long stemmed head), 1932, <br>60.5 x 22 x 15 cm, MNAM Centre Pompidou, Paris<\/figcaption><\/figure>\n\n\n\n<p>In 1928, the leader of the Parisian avant-garde turns to his long-time friend for help in creating a funerary monument for the poet Guillaume Apollinaire, which results in a four-year collaboration between the two that was fruitful for both of their careers.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"634\" height=\"332\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.05.36.png\" alt=\"\" class=\"wp-image-9347\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.05.36.png 634w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.05.36-300x157.png 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.05.36-600x314.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.05.36-145x76.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.05.36-24x13.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.05.36-36x19.png 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-10-at-17.05.36-48x25.png 48w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><\/figure><\/div>\n\n\n\n<p>Beyond aesthetic and personal affinities, Julio Gonz\u00e1lez and Pablo Picasso also shared ideological principles.  Both used their artistic talent to defend democracy against fascism starting with the Spanish Civil War in 1936, as also shown in the exhibition. <\/p>\n\n\n\n<p>This rare opportunity to discover Gonz\u00e1lez&#8217;s work in Australia will be on view through October 9, 2022.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Julio Gonz\u00e1lez&#8217;s work, rarely seen in Australia, is now on display at the National Gallery of Victoria in &#8220;The Picasso Century&#8221;. This important exhibition, mounted in partnership with the Mus\u00e9e national Picasso Paris and the Centre Pompidou, confronts artwork spanning the entirety of Pablo Picasso&#8217;s long career with that of his contemporaries, including his friend [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":9389,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[640,696,56],"tags":[],"class_list":["post-9344","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-expositions-en","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/9344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=9344"}],"version-history":[{"count":2,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/9344\/revisions"}],"predecessor-version":[{"id":9352,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/9344\/revisions\/9352"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media\/9389"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=9344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=9344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=9344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}