{"id":7921,"date":"2019-10-09T12:35:25","date_gmt":"2019-10-09T11:35:25","guid":{"rendered":"https:\/\/juliogonzalez.org\/?p=7921"},"modified":"2020-04-17T16:16:41","modified_gmt":"2020-04-17T15:16:41","slug":"hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2019\/10\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/","title":{"rendered":"Gonz\u00e1lez\/Hartung: artistic &#038; familial bonds. &#8220;Hans Hartung, ou la fabrique du geste&#8221; (MAMVP, Oct. 2019-March 2020)"},"content":{"rendered":"\n<p>&#8220;Hans Hartung, ou la fabrique du geste&#8221; is a major retrospective held at the M<em>us\u00e9e d&#8217;art moderne de la ville de Paris<\/em> (MAMVP) from October 11, 2019 through March 1, 2020.  The first in 50 years, the show is an ideal occasion to retrace not only Hartung&#8217;s impressive career, but also the important artistic and familial ties that bind the German-born artist and the Gonz\u00e1lez family.<\/p>\n\n\n\n<p>As for the exhibition, the 300 works displayed cover the entirety of Hartung&#8217;s career.  His pioneering role in abstract art in France is highlighted, as well as his constant experimentation and innovation, in terms of his painting techniques and practices, as well as with other media, like photography, print and ceramics.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"773\" height=\"1024\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Julio-Gonza\u0301lez-amb-Hans-Hartung-en-el-taller-dArcueil-ca.-1938-1939-773x1024.jpg\" alt=\"\" class=\"wp-image-8391\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Julio-Gonza\u0301lez-amb-Hans-Hartung-en-el-taller-dArcueil-ca.-1938-1939-773x1024.jpg 773w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Julio-Gonza\u0301lez-amb-Hans-Hartung-en-el-taller-dArcueil-ca.-1938-1939-227x300.jpg 227w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Julio-Gonza\u0301lez-amb-Hans-Hartung-en-el-taller-dArcueil-ca.-1938-1939-768x1017.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Julio-Gonza\u0301lez-amb-Hans-Hartung-en-el-taller-dArcueil-ca.-1938-1939-600x795.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Julio-Gonza\u0301lez-amb-Hans-Hartung-en-el-taller-dArcueil-ca.-1938-1939-1160x1536.jpg 1160w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Julio-Gonza\u0301lez-amb-Hans-Hartung-en-el-taller-dArcueil-ca.-1938-1939-145x192.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Julio-Gonza\u0301lez-amb-Hans-Hartung-en-el-taller-dArcueil-ca.-1938-1939-18x24.jpg 18w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Julio-Gonza\u0301lez-amb-Hans-Hartung-en-el-taller-dArcueil-ca.-1938-1939-27x36.jpg 27w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Julio-Gonza\u0301lez-amb-Hans-Hartung-en-el-taller-dArcueil-ca.-1938-1939-36x48.jpg 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Julio-Gonza\u0301lez-amb-Hans-Hartung-en-el-taller-dArcueil-ca.-1938-1939.jpg 1200w\" sizes=\"auto, (max-width: 773px) 100vw, 773px\" \/><figcaption>Gonz\u00e1lez and Hartung in Gonz\u00e1lez&#8217;s workshop, Arcueil, ca. 1937<\/figcaption><\/figure>\n\n\n<p>Glimpses of Hartung&#8217;s close relationship with the Gonz\u00e1lez family also shine through.&nbsp; The story begins in 1937, when Hartung presents himself to Julio Gonz\u00e1lez, whose work he admired.&nbsp; Gonz\u00e1lez takes the young Hartung under his wing, and introduces him to his groundbreaking autogenous welding technique that he used to revolutionize 20th century metallic sculpture.&nbsp;<\/p>\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/10\/Sculpture-Hartung-1937.jpg\" alt=\"\" class=\"wp-image-8410\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/10\/Sculpture-Hartung-1937.jpg 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/10\/Sculpture-Hartung-1937-300x225.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/10\/Sculpture-Hartung-1937-768x576.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/10\/Sculpture-Hartung-1937-600x450.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/10\/Sculpture-Hartung-1937-145x109.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/10\/Sculpture-Hartung-1937-24x18.jpg 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/10\/Sculpture-Hartung-1937-36x27.jpg 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/10\/Sculpture-Hartung-1937-48x36.jpg 48w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Hartung&#8217;s sculpture in the MAMVP exhibition<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"361\" height=\"650\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Maternite\u0301-Roberta-Gonzalez-1.jpg\" alt=\"\" data-id=\"8422\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Maternite\u0301-Roberta-Gonzalez-1.jpg\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/maternite-roberta-gonzalez-1\/\" class=\"wp-image-8422\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Maternite\u0301-Roberta-Gonzalez-1.jpg 361w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Maternite\u0301-Roberta-Gonzalez-1-167x300.jpg 167w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Maternite\u0301-Roberta-Gonzalez-1-117x210.jpg 117w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Maternite\u0301-Roberta-Gonzalez-1-13x24.jpg 13w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Maternite\u0301-Roberta-Gonzalez-1-20x36.jpg 20w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Maternite\u0301-Roberta-Gonzalez-1-27x48.jpg 27w\" sizes=\"auto, (max-width: 361px) 100vw, 361px\" \/><figcaption class=\"blocks-gallery-item__caption\">Roberta Gonz\u00e1lez,\u00a0<em>Maternit\u00e9, <\/em><br>ca. 1936, MNAM<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"706\" height=\"1024\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-706x1024.jpg\" alt=\"\" data-id=\"4571\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg.jpg\" data-link=\"https:\/\/juliogonzalez.org\/en\/catalogue\/la-montserrat-the-montserrat\/r_julio-gonzalez-la-montserrat-1936-1937-jpg-2\/\" class=\"wp-image-4571\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-706x1024.jpg 706w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-207x300.jpg 207w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-600x870.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-145x210.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-17x24.jpg 17w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-25x36.jpg 25w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-33x48.jpg 33w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg.jpg 745w\" sizes=\"auto, (max-width: 706px) 100vw, 706px\" \/><figcaption class=\"blocks-gallery-item__caption\">J. Gonz\u00e1lez, <em>La Montserrat<\/em>, 1937<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Under Gonz\u00e1lez&#8217;s tutelage, Hartung produces an iron sculpture of his own, on display in the exhibition, in his characteristically abstract style (<em>Untitled, <\/em>1938).&nbsp; Gonz\u00e1lez was in the habit of indoctrinating other artists to his signature practice, both young and experienced.&nbsp; For example, he introduced his long-time friend and compatriot Pablo Picasso to his innovative welding techniques at the end of the 1920s, when they collaborated on a series of metallic sculptures initially destined for Guillaume Apollinaire&#8217;s funerary monument.&nbsp; He had also assisted his daughter, Roberta, she herself an artist, in creating a metallic <em>Maternity<\/em> piece around 1936.&nbsp; This work is a sort of prelude to his own famous iron sculpture <em><a href=\"https:\/\/juliogonzalez.org\/en\/catalogue\/la-montserrat-the-montserrat\/#.XpmAo5MzZp8\">Montserrat<\/a>, <\/em>revealed to the world <a href=\"https:\/\/juliogonzalez.org\/en\/2018\/03\/16\/gonzalez-and-guernica-exhibition-musee-national-picasso-paris-march-27-july-29-2018\/#.XpmAc5MzZp8\">at the same occasion as <em>Guernica <\/em><\/a>in 1937 at the Paris World&#8217;s fair. &nbsp;&nbsp;<\/p>\n\n\n\n<p>These two works created under Gonz\u00e1lez&#8217;s tutelage are extremely different, and reveal the two distinct artistic visions defended by Hartung and Julio Gonz\u00e1lez.  In spite of the respect each held for the other, Hartung was an adamant defender of abstraction, while Julio Gonz\u00e1lez believed in the necessity of drawing from Nature as a constant point of departure.  In her early works, Roberta Gonz\u00e1lez adhered mainly to her father&#8217;s philosophy, as her <em>Maternity <\/em>shows, but she would later be influenced by the abstract style practiced by the young German artist who quickly became a regular in the Gonz\u00e1lez household.  According to Roberta Gonz\u00e1lez, Hartung exposes her to a new pictorial universe.  <\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"737\" height=\"941\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-picked-up.png\" alt=\"\" data-id=\"8405\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-picked-up.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/roberta-hans-picked-up\/\" class=\"wp-image-8405\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-picked-up.png 737w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-picked-up-235x300.png 235w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-picked-up-600x766.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-picked-up-145x185.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-picked-up-19x24.png 19w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-picked-up-28x36.png 28w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-picked-up-38x48.png 38w\" sizes=\"auto, (max-width: 737px) 100vw, 737px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"896\" height=\"1024\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-smoking-896x1024.png\" alt=\"\" data-id=\"8403\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-smoking.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/roberta-hans-smoking\/\" class=\"wp-image-8403\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-smoking-896x1024.png 896w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-smoking-263x300.png 263w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-smoking-768x878.png 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-smoking-600x686.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-smoking-145x166.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-smoking-21x24.png 21w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-smoking-32x36.png 32w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-smoking-42x48.png 42w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-smoking.png 904w\" sizes=\"auto, (max-width: 896px) 100vw, 896px\" \/><\/figure><\/li><\/ul><\/figure>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"748\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-cat-1024x748.png\" alt=\"\" class=\"wp-image-8407\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-cat-1024x748.png 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-cat-300x219.png 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-cat-768x561.png 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-cat-600x438.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-cat-145x106.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-cat-24x18.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-cat-36x26.png 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-cat-48x35.png 48w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Hans-cat.png 1422w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Roberta Gonz\u00e1lez &amp; Hans Hartung, ca. 1937-39, Julio Gonz\u00e1lez Administration archives <\/figcaption><\/figure>\n\n\n\n<p>Indeed, Hans and Roberta grew increasingly close. The exhibition displays photographs that document their early relationship, including some from the Gonz\u00e1lez Estate&#8217;s private archives.  <\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"618\" height=\"868\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Jeune-fille-se\u0301ve\u0300re-1937.png\" alt=\"Roberta Gonzalez, Jeune fille se\u0301ve\u0300re, 1937\" data-id=\"8236\" data-link=\"https:\/\/juliogonzalez.org\/en\/a-propos-de-l-artiste\/roberta-gonzalez\/roberta-gonzalez-jeune-fille-severe-1937-2\/\" class=\"wp-image-8236\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Jeune-fille-se\u0301ve\u0300re-1937.png 618w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Jeune-fille-se\u0301ve\u0300re-1937-214x300.png 214w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Jeune-fille-se\u0301ve\u0300re-1937-600x843.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Jeune-fille-se\u0301ve\u0300re-1937-145x204.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Jeune-fille-se\u0301ve\u0300re-1937-17x24.png 17w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Jeune-fille-se\u0301ve\u0300re-1937-26x36.png 26w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Jeune-fille-se\u0301ve\u0300re-1937-34x48.png 34w\" sizes=\"auto, (max-width: 618px) 100vw, 618px\" \/><figcaption class=\"blocks-gallery-item__caption\">R. Gonz\u00e1lez, <em>Jeune fille s\u00e9v\u00e8re<\/em>, 1937<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"429\" height=\"520\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939.png\" alt=\"\" data-id=\"8469\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/roberta-gonzalez-sans-titre-1939\/\" class=\"wp-image-8469\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939.png 429w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939-248x300.png 248w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939-145x176.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939-20x24.png 20w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939-30x36.png 30w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939-40x48.png 40w\" sizes=\"auto, (max-width: 429px) 100vw, 429px\" \/><figcaption class=\"blocks-gallery-item__caption\">R. Gonz\u00e1lez, <em>Untitled<\/em>, 1939<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Since the outbreak of the Spanish Civil war in 1936, Roberta&#8217;s work had been largely influenced by her father&#8217;s wartime production; her paintings and drawings were full of sullen or screaming women whose forms were shattered and deformed with a Cubo-Surrealist style that reflected the violence and distress of the war.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"820\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-et-Hans-Hartung-1939-1024x820.jpg\" alt=\"\" class=\"wp-image-8389\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-et-Hans-Hartung-1939-1024x820.jpg 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-et-Hans-Hartung-1939-300x240.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-et-Hans-Hartung-1939-768x615.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-et-Hans-Hartung-1939-600x481.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-et-Hans-Hartung-1939-145x116.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-et-Hans-Hartung-1939-24x19.jpg 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-et-Hans-Hartung-1939-36x29.jpg 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-et-Hans-Hartung-1939-48x38.jpg 48w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-et-Hans-Hartung-1939.jpg 1417w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>After an exhibition together at the Henriette Gomez gallery in Paris, Roberta&#8217;s first nearly-solo show, the young artists were married in 1939.  However, their happiness was quickly shattered by the outbreak of World War II, which repeatedly separates them.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"449\" height=\"672\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-le\u0301gionnaire.png\" alt=\"\" data-id=\"8426\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/hartung-legionnaire\/\" class=\"wp-image-8426\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-le\u0301gionnaire.png 449w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-le\u0301gionnaire-200x300.png 200w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-le\u0301gionnaire-140x210.png 140w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-le\u0301gionnaire-16x24.png 16w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-le\u0301gionnaire-24x36.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-le\u0301gionnaire-32x48.png 32w\" sizes=\"auto, (max-width: 449px) 100vw, 449px\" \/><figcaption class=\"blocks-gallery-item__caption\">Hartung in the Foreign Legion uniform, Algeria, 1940<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"591\" height=\"854\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942.png\" alt=\"\" data-id=\"8428\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/hartung-et-roberta-gonzalez-lot-1942\/\" class=\"wp-image-8428\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942.png 591w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942-208x300.png 208w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942-145x210.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942-17x24.png 17w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942-25x36.png 25w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942-33x48.png 33w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><figcaption class=\"blocks-gallery-item__caption\">Hartung &amp; Roberta Gonz\u00e1lez-Hartung, 1942, Lasbouygues<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"789\" height=\"552\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lot.png\" alt=\"\" class=\"wp-image-8497\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lot.png 789w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lot-300x210.png 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lot-768x537.png 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lot-600x420.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lot-145x101.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lot-24x17.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lot-36x25.png 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lot-48x34.png 48w\" sizes=\"auto, (max-width: 789px) 100vw, 789px\" \/><figcaption>Julio &amp; Roberta Gonz\u00e1lez, Lasbouygues, ca. 1940-41<\/figcaption><\/figure>\n\n\n\n<p> First, Hartung, a staunch anti-fascist, joins the French Foreign Legion.  Then, unable to return to Occupied Paris after the armistice, Hartung and the entire Gonz\u00e1lez family take refuge in unoccupied France.&nbsp;&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"795\" height=\"512\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Gonzalez-el-grito-1939-5.png\" alt=\"\" data-id=\"8489\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/gonzalez-el-grito-1939-5\/\" class=\"wp-image-8489\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Gonzalez-el-grito-1939-5.png 795w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Gonzalez-el-grito-1939-5-300x193.png 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Gonzalez-el-grito-1939-5-768x495.png 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Gonzalez-el-grito-1939-5-600x386.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Gonzalez-el-grito-1939-5-145x93.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Gonzalez-el-grito-1939-5-24x15.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Gonzalez-el-grito-1939-5-36x23.png 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Gonzalez-el-grito-1939-5-48x31.png 48w\" sizes=\"auto, (max-width: 795px) 100vw, 795px\" \/><figcaption class=\"blocks-gallery-item__caption\">Julio Gonz\u00e1lez, <em>El grito (The scream), <\/em>25.3.1939<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"685\" height=\"906\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-Sans-titre-te\u0302te-gonzaloide-1940-4.png\" alt=\"\" data-id=\"8495\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/hartung-sans-titre-te%cc%82te-gonzaloide-1940-4\/\" class=\"wp-image-8495\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-Sans-titre-te\u0302te-gonzaloide-1940-4.png 685w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-Sans-titre-te\u0302te-gonzaloide-1940-4-227x300.png 227w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-Sans-titre-te\u0302te-gonzaloide-1940-4-600x794.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-Sans-titre-te\u0302te-gonzaloide-1940-4-145x192.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-Sans-titre-te\u0302te-gonzaloide-1940-4-18x24.png 18w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-Sans-titre-te\u0302te-gonzaloide-1940-4-27x36.png 27w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-Sans-titre-te\u0302te-gonzaloide-1940-4-36x48.png 36w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><figcaption class=\"blocks-gallery-item__caption\">Hans Hartung, <em>Untitled, <\/em>1940<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"643\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Vierge-douleureuse-1941.png\" alt=\"\" data-id=\"8499\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Vierge-douleureuse-1941.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/roberta-gonzalez-vierge-douleureuse-1941\/\" class=\"wp-image-8499\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Vierge-douleureuse-1941.png 460w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Vierge-douleureuse-1941-215x300.png 215w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Vierge-douleureuse-1941-145x203.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Vierge-douleureuse-1941-17x24.png 17w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Vierge-douleureuse-1941-26x36.png 26w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Vierge-douleureuse-1941-34x48.png 34w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><figcaption class=\"blocks-gallery-item__caption\">R. Gonz\u00e1lez, <em>Vierge douleureuse<\/em>, 1941<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>The uncertainty and anxiety of the time continues to be reflected in the works of Hans, Roberta and Julio Gonz\u00e1lez.  <a href=\"https:\/\/juliogonzalez.org\/en\/2019\/03\/12\/julio-and-roberta-gonzalez-in-picasso-and-exile-a-history-of-spanish-art-in-resistance-musee-des-abattoirs-toulouse\/#.XpmCgZMzZp8\">As the 2019 exhibition &#8220;Picasso and the exile,&#8221; showed in a room devoted to the Hartung-Gonz\u00e1lez&#8217;s experience in exile<\/a>, Hartung produces a series of &#8220;Gonzalo\u00efd&#8221; works, including paintings and drawings of sculptural, abstract forms and Cubo-Surrealist heads, influenced by his father-in-law&#8217;s sculptures and drawings. Roberta continues in the same vein. <\/p>\n\n\n\n<p>Hans, Roberta and Julio also create numerous portraits of the Gonz\u00e1lez family.  The display of these works in the MAMVP exhibition attest to this rare figurative interlude in the career of Hartung, who espouses abstraction early on. It also testifies to the artistic exchanges between Hartung and Gonz\u00e1lez, who passes away unexpectedly in 1942.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"572\" height=\"600\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-portrait-Gonzalez-1942-1.png\" alt=\"\" data-id=\"8454\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/hartung-portrait-gonzalez-1942-1\/\" class=\"wp-image-8454\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-portrait-Gonzalez-1942-1.png 572w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-portrait-Gonzalez-1942-1-286x300.png 286w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-portrait-Gonzalez-1942-1-145x152.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-portrait-Gonzalez-1942-1-24x24.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-portrait-Gonzalez-1942-1-34x36.png 34w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-portrait-Gonzalez-1942-1-46x48.png 46w\" sizes=\"auto, (max-width: 572px) 100vw, 572px\" \/><figcaption class=\"blocks-gallery-item__caption\">Hartung, Portrait of J. Gonz\u00e1lez, 1942<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"418\" height=\"625\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-portrait-Julio-Gonzalez-1941.png\" alt=\"\" data-id=\"8458\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/roberta-portrait-julio-gonzalez-1941\/\" class=\"wp-image-8458\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-portrait-Julio-Gonzalez-1941.png 418w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-portrait-Julio-Gonzalez-1941-201x300.png 201w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-portrait-Julio-Gonzalez-1941-140x210.png 140w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-portrait-Julio-Gonzalez-1941-16x24.png 16w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-portrait-Julio-Gonzalez-1941-24x36.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-portrait-Julio-Gonzalez-1941-32x48.png 32w\" sizes=\"auto, (max-width: 418px) 100vw, 418px\" \/><figcaption class=\"blocks-gallery-item__caption\">R. Gonz\u00e1lez, <em>Portrait of my father, <\/em>1941<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"454\" height=\"610\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Tia-Pilar.png\" alt=\"\" data-id=\"8501\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Tia-Pilar.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/roberta-tia-pilar\/\" class=\"wp-image-8501\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Tia-Pilar.png 454w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Tia-Pilar-223x300.png 223w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Tia-Pilar-145x195.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Tia-Pilar-18x24.png 18w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Tia-Pilar-27x36.png 27w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Tia-Pilar-36x48.png 36w\" sizes=\"auto, (max-width: 454px) 100vw, 454px\" \/><figcaption class=\"blocks-gallery-item__caption\">R. Gonz\u00e1lez, <em>Portrait of T\u00eda Pilar,<\/em> 1942<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Hans and Roberta are separated once more when he is forced to flee to Spain in 1943, when the Germans invade unoccupied France, where he is promptly imprisoned.  Upon his release, he joins the Free French Forces, returns to France, sustains a wound on the battlefield, and ultimately loses his leg.  He is only reunited with Roberta in late 1944.  <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"743\" height=\"1024\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-et-Hans-apre\u0300s-guerre-743x1024.png\" alt=\"\" class=\"wp-image-8460\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-et-Hans-apre\u0300s-guerre-743x1024.png 743w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-et-Hans-apre\u0300s-guerre-218x300.png 218w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-et-Hans-apre\u0300s-guerre-768x1058.png 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-et-Hans-apre\u0300s-guerre-600x827.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-et-Hans-apre\u0300s-guerre-145x200.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-et-Hans-apre\u0300s-guerre-17x24.png 17w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-et-Hans-apre\u0300s-guerre-26x36.png 26w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-et-Hans-apre\u0300s-guerre-35x48.png 35w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-et-Hans-apre\u0300s-guerre.png 772w\" sizes=\"auto, (max-width: 743px) 100vw, 743px\" \/><figcaption>Hans &amp; Roberta in Arcueil, postwar<\/figcaption><\/figure>\n\n\n\n<p>After the war, Hans and Roberta return to the Parisian region and resume their respective careers.  Hans finally achieves the success that eluded him before the war, becoming the leader of Paris&#8217;s &#8220;Lyrical Abstraction&#8221; movement, which promotes spontaneous, dynamic and expressive non-figurative paintings. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"554\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-T1949-9-1024x554.png\" alt=\"\" class=\"wp-image-8466\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-T1949-9-1024x554.png 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-T1949-9-300x162.png 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-T1949-9-768x415.png 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-T1949-9-600x324.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-T1949-9-1536x831.png 1536w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-T1949-9-145x78.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-T1949-9-24x13.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-T1949-9-36x19.png 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-T1949-9-48x26.png 48w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-T1949-9.png 1629w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Hartung, <em>T1949-9<\/em>, oil on canvas, 1949<\/figcaption><\/figure>\n\n\n\n<p>In the meantime, Roberta Gonz\u00e1lez struggles to find her own personal style and to heal after the trauma of the war.  <\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"839\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-La-supplication-19456-1.png\" alt=\"\" data-id=\"8473\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/roberta-gonzalez-la-supplication-19456-1\/\" class=\"wp-image-8473\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-La-supplication-19456-1.png 639w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-La-supplication-19456-1-228x300.png 228w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-La-supplication-19456-1-600x788.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-La-supplication-19456-1-145x190.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-La-supplication-19456-1-18x24.png 18w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-La-supplication-19456-1-27x36.png 27w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-La-supplication-19456-1-37x48.png 37w\" sizes=\"auto, (max-width: 639px) 100vw, 639px\" \/><figcaption class=\"blocks-gallery-item__caption\">R. Gonz\u00e1lez, <em>La supplication<\/em>, 1945-6<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"402\" height=\"647\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Jeune-fille-pensive-1949.png\" alt=\"\" data-id=\"8475\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Jeune-fille-pensive-1949.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/roberta-gonzalez-jeune-fille-pensive-1949\/\" class=\"wp-image-8475\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Jeune-fille-pensive-1949.png 402w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Jeune-fille-pensive-1949-186x300.png 186w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Jeune-fille-pensive-1949-130x210.png 130w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Jeune-fille-pensive-1949-15x24.png 15w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Jeune-fille-pensive-1949-22x36.png 22w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Jeune-fille-pensive-1949-30x48.png 30w\" sizes=\"auto, (max-width: 402px) 100vw, 402px\" \/><figcaption class=\"blocks-gallery-item__caption\">R. Gonz\u00e1lez, <em>Jeune fille pensive,<\/em> 1949<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Her initial works are in keeping with her fragmented and anxiety-ridden wartime style, but little by little, she begins to experiment with her own artistic language.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-9 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"481\" height=\"795\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Sans-titre-1952.png\" alt=\"\" data-id=\"8479\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/roberta-sans-titre-1952\/\" class=\"wp-image-8479\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Sans-titre-1952.png 481w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Sans-titre-1952-182x300.png 182w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Sans-titre-1952-127x210.png 127w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Sans-titre-1952-15x24.png 15w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Sans-titre-1952-22x36.png 22w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Sans-titre-1952-29x48.png 29w\" sizes=\"auto, (max-width: 481px) 100vw, 481px\" \/><figcaption class=\"blocks-gallery-item__caption\">R. Gonz\u00e1lez, <em>Untitled,<\/em> 1952<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"864\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Le\u0301da-no-3-1952-1.png\" alt=\"\" data-id=\"8481\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Le\u0301da-no-3-1952-1.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/roberta-gonzalez-leda-no-3-1952-1\/\" class=\"wp-image-8481\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Le\u0301da-no-3-1952-1.png 560w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Le\u0301da-no-3-1952-1-194x300.png 194w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Le\u0301da-no-3-1952-1-136x210.png 136w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Le\u0301da-no-3-1952-1-16x24.png 16w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Le\u0301da-no-3-1952-1-23x36.png 23w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Le\u0301da-no-3-1952-1-31x48.png 31w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><figcaption class=\"blocks-gallery-item__caption\"><br>R. Gonz\u00e1lez, <em>L\u00e9da no. 3<\/em>, 1952<br><\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p> This new, personal style assimilates her father&#8217;s insistence on figuration with elements of Hartung&#8217;s abstraction.  Concretely, Roberta Gonz\u00e1lez develops a largely figurative artistic vocabulary, composed of suns, masks, profiles, arrows and other signs, that float in an undefined space, among color blocks applied with visible, dynamic gestures, like in Hartung&#8217;s painting.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"327\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Chant-Sombre-1024x327.png\" alt=\"\" class=\"wp-image-8483\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Chant-Sombre-1024x327.png 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Chant-Sombre-300x96.png 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Chant-Sombre-768x245.png 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Chant-Sombre-600x192.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Chant-Sombre-145x46.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Chant-Sombre-24x8.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Chant-Sombre-36x11.png 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Chant-Sombre-48x15.png 48w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Chant-Sombre.png 1460w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Roberta Gonz\u00e1lez, <em>Chant Sombre <\/em>(Dark song), 1960, IVAM<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-10 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"452\" height=\"660\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/La-ta\u0302che-bleue-1956.png\" alt=\"\" data-id=\"8254\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/La-ta\u0302che-bleue-1956.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/a-propos-de-l-artiste\/roberta-gonzalez\/la-ta%cc%82che-bleue-1956-2\/\" class=\"wp-image-8254\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/La-ta\u0302che-bleue-1956.png 452w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/La-ta\u0302che-bleue-1956-205x300.png 205w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/La-ta\u0302che-bleue-1956-16x24.png 16w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/La-ta\u0302che-bleue-1956-25x36.png 25w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/La-ta\u0302che-bleue-1956-33x48.png 33w\" sizes=\"auto, (max-width: 452px) 100vw, 452px\" \/><figcaption class=\"blocks-gallery-item__caption\">Roberta Gonz\u00e1lez, <em>The Blue Stain<\/em>, 1956<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"558\" height=\"852\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Torse-ardent-1967.png\" alt=\"\" data-id=\"8232\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Torse-ardent-1967.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/a-propos-de-l-artiste\/roberta-gonzalez\/roberta-gonzalez-torse-ardent-1967-2\/\" class=\"wp-image-8232\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Torse-ardent-1967.png 558w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Torse-ardent-1967-196x300.png 196w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Torse-ardent-1967-138x210.png 138w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Torse-ardent-1967-16x24.png 16w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Torse-ardent-1967-24x36.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-Torse-ardent-1967-31x48.png 31w\" sizes=\"auto, (max-width: 558px) 100vw, 558px\" \/><figcaption class=\"blocks-gallery-item__caption\">Roberta Gonz\u00e1lez, <em>Burning Tors<\/em>o, 1967<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"999\" height=\"352\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Soleil-et-triangle-1967.png\" alt=\"\" class=\"wp-image-8485\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Soleil-et-triangle-1967.png 999w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Soleil-et-triangle-1967-300x106.png 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Soleil-et-triangle-1967-768x271.png 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Soleil-et-triangle-1967-600x211.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Soleil-et-triangle-1967-145x51.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Soleil-et-triangle-1967-24x8.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Soleil-et-triangle-1967-36x13.png 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Soleil-et-triangle-1967-48x17.png 48w\" sizes=\"auto, (max-width: 999px) 100vw, 999px\" \/><figcaption>Roberta Gonz\u00e1lez, <em>Sun and Triangle<\/em>, 1967, IVAM<\/figcaption><\/figure>\n\n\n\n<p>Roberta Gonz\u00e1lez and Hans Hartung divorce in 1956, after Hartung rekindles his relationship with his first wife, artist Ana Eva Bergman. Nonetheless, Roberta Gonz\u00e1lez remains on friendly terms with the Hartung-Bergman&#8217;s until the end of her days, as their ample correspondance conserved at the Fondation Hartung-Bergman attests.  Roberta Gonz\u00e1lez&#8217;s artwork testifies to the importance of her encounter with Hans Hartung, who helps her find her own, personal artistic style and voice.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Hans Hartung, ou la fabrique du geste&#8221; is a major retrospective held at the Mus\u00e9e d&#8217;art moderne de la ville de Paris (MAMVP) from October 11, 2019 through March 1, 2020. The first in 50 years, the show is an ideal occasion to retrace not only Hartung&#8217;s impressive career, but also the important artistic and [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":8460,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[640,696],"tags":[],"class_list":["post-7921","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-expositions-en"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=7921"}],"version-history":[{"count":14,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7921\/revisions"}],"predecessor-version":[{"id":8515,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7921\/revisions\/8515"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media\/8460"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=7921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=7921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=7921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}