{"id":7860,"date":"2019-10-11T14:51:06","date_gmt":"2019-10-11T13:51:06","guid":{"rendered":"https:\/\/juliogonzalez.org\/?p=7860"},"modified":"2020-04-17T09:21:16","modified_gmt":"2020-04-17T08:21:16","slug":"sortie-du-4e-tome-du-nouveau-catalogue-raisonne-de-julio-gonzalez","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2019\/10\/sortie-du-4e-tome-du-nouveau-catalogue-raisonne-de-julio-gonzalez\/","title":{"rendered":"Release of the 4th tome of Julio Gonz\u00e1lez’s new catalogue raisonn\u00e9 November 5, 2019"},"content":{"rendered":"

The fourth tome of Julio Gonz\u00e1lez’s new catalogue raisonn\u00e9<\/em> has been released.\u00a0 It covers his production from 1925-1933, a decisive time for his work. Indeed, it is during these years that Gonz\u00e1lez decides to abandon painting and to devote himself entirely to sculpture, his true vocation.\u00a0 After the publication of a first catalogue raisonn\u00e9<\/em> devoted to his sculpture (J\u00f6rn Merkert, 1987) and other volumes focused on his drawings (Josette Gibert, 1975, Galerie de France, 1993), this new catalogue raisonn\u00e9<\/em> will assemble the entirety of Gonz\u00e1lez’s oeuvre<\/em>: painting, objets d’art,<\/em> sculpture and drawing.<\/p>\n

The author of this monumental work is the eminent art historian Tom\u00e1s Llorens, a specialist on Gonz\u00e1lez having served as director for numerous prestigious museums, including the IVAM Centre Julio Gonz\u00e1lez<\/a>, the Museo Nacional Centre de Arte Reina Sofia, and the Museo Thyssen-Bornemisza. The catalogue is edited by the Fundaci<\/a>\u00f3n Azcona<\/a>. This volume is the fourth in a series of six that will cover the entirety of his artistic production.<\/p>\n

This work sheds new light on the artistic collaboration between Gonz\u00e1lez and Pablo Picasso which takes place between 1928 and 1932, when Picasso calls upon his long-time friend and colleague to teach him his revolutionary autogenous welding technique to create a metal sculpture for Apollinaire’s funerary monument.<\/p>\n

A conference on the fourth tome<\/a> took place on November 5th at the Picasso Museum in Paris<\/a> , with Tom\u00e1s Llorens (author).\u00a0<\/p>\n

To order a copy, contact contacto@fundacionazcona.com.<\/a><\/p>\n\n\n

\"\"
Tom\u00e1s Llorens, Art Historian and Author of Gonz\u00e1lez’s new catalogue raisonn\u00e9<\/figcaption><\/figure>\n\n\n\n
\"\"
Lalo Azcona, President of the Fundaci\u00f3n Azcona<\/figcaption><\/figure>\n\n\n\n
\"\"
Philippe Grimminger, Director of Julio Gonz\u00e1lez Administration<\/figcaption><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

The fourth tome of Julio Gonz\u00e1lez’s new catalogue raisonn\u00e9 has been released.\u00a0 It covers his production from 1925-1933, a decisive time for his work. Indeed, it is during these years that Gonz\u00e1lez decides to abandon painting and to devote himself entirely to sculpture, his true vocation.\u00a0 After the publication of a first catalogue raisonn\u00e9 devoted […]<\/p>\n","protected":false},"author":8,"featured_media":7901,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[643],"tags":[],"class_list":["post-7860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-event"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=7860"}],"version-history":[{"count":10,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7860\/revisions"}],"predecessor-version":[{"id":8388,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7860\/revisions\/8388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media\/7901"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=7860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=7860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=7860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}