{"id":7631,"date":"2019-03-11T16:11:09","date_gmt":"2019-03-11T15:11:09","guid":{"rendered":"https:\/\/juliogonzalez.org\/?p=7631"},"modified":"2020-03-27T11:38:15","modified_gmt":"2020-03-27T10:38:15","slug":"gonzalezs-danseuse-a-la-marguerite-on-display-at-the-mamc-saint-etienne","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2019\/03\/gonzalezs-danseuse-a-la-marguerite-on-display-at-the-mamc-saint-etienne\/","title":{"rendered":"Julio Gonz\u00e1lez’s “Danseuse \u00e0 la marguerite” on display at the MAMC+ (Saint Etienne), through Sept. 2019"},"content":{"rendered":"

Danseuse \u00e0 la marguerite\u00a0<\/em>(Dancer with daisy),\u00a0<\/em>a 1937 sculpture by Julio Gonz\u00e1lez, is currently displayed at the Mus\u00e9e d’art moderne et contemporain (MAMC+) of Saint Etienne M\u00e9tropole,<\/a> in their temporary exhibition, “Vingt-quatre heures de la vie d’une femme” (“Twenty-four hours in the life of a woman”)<\/a>.<\/p>\n

This unprecedented exhibition tells the story of an imaginary and multiple day through the 250 works of art of various media displayed, including paintings, sculptures, drawings, photographs and design objects. Playful and poetic, with its dematerialized forms,\u00a0Danseuse \u00e0 la marguerite\u00a0<\/em>contributes to this reflection on the intimate and the universal, the poetry of everyday life, the emotion of real life.<\/p>\n

Its curator is Aur\u00e9lie Voltz, General director of the MAMC+ since October 2017. Her aim is to give increased visibility to this collection, which includes the second largest number of modern and contemporary works in France, after the Mus\u00e9e national d’art moderne Centre Georges Pompidou.\u00a0\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Danseuse \u00e0 la marguerite\u00a0(Dancer with daisy),\u00a0a 1937 sculpture by Julio Gonz\u00e1lez, is currently displayed at the Mus\u00e9e d’art moderne et contemporain (MAMC+) of Saint Etienne M\u00e9tropole, in their temporary exhibition, “Vingt-quatre heures de la vie d’une femme” (“Twenty-four hours in the life of a woman”). This unprecedented exhibition tells the story of an imaginary and […]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[640,696],"tags":[],"class_list":["post-7631","post","type-post","status-publish","format-standard","hentry","category-exhibition","category-expositions-en"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=7631"}],"version-history":[{"count":4,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7631\/revisions"}],"predecessor-version":[{"id":8170,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7631\/revisions\/8170"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=7631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=7631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=7631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}