{"id":7594,"date":"2019-03-09T12:34:38","date_gmt":"2019-03-09T11:34:38","guid":{"rendered":"https:\/\/juliogonzalez.org\/?p=7594"},"modified":"2020-04-24T13:55:59","modified_gmt":"2020-04-24T12:55:59","slug":"roberta-gonzalez-an-artistic-path-forged-by-war-a-conference-april-15-2019-at-the-musee-de-larmee-paris","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2019\/03\/roberta-gonzalez-an-artistic-path-forged-by-war-a-conference-april-15-2019-at-the-musee-de-larmee-paris\/","title":{"rendered":"Conference: “Roberta Gonzalez: an artistic path forged by war”, April 15, 2019 mus\u00e9e de l’Arm\u00e9e (Paris)"},"content":{"rendered":"

In conjunction with the exhibition “Picasso et la guerre”,<\/a> which opens on April 5 at the mus\u00e9e de l’Arm\u00e9e in Paris<\/a>, Dr. Amanda Herold-Marme will give a conference in French entitled “Roberta Gonzalez: an artistic path forged by war”<\/a>.<\/p>\n

This conference will recount the life and work of Roberta Gonzalez, an artist of French and Spanish origins mainly known for her painting, who was also the daughter of Spanish sculptor Julio Gonzalez. The focus will be the impact of war on her artistic and personal development. Key moments that will be highlighted in the presentation include the Spanish Civil War, which signals the emergence of an avant-gardist style in her work that conveys the anguish of the times, the Second World War, which affects Roberta and the Gonzalez-Hartung family more directly, and the postwar period, as she struggles to free herself and her work from the after effects of these difficult years, and moves toward her personal style, independent of the dominant aesthetic movements on the Parisian scene.\u00a0 Her relationship with Francoist Spain will also be evoked.<\/p>\n

Dr. Amanda Herold-Marme is an art historian who specializes in Spanish artists in Paris in relation to the Spanish Civil War, exile and Franco’s dictatorship. She has published numerous essays on these themes, including on the subject of Roberta and Julio Gonzalez, for example “Roberta Gonzalez: an artistic career forged by war”<\/a> (2015).<\/p>\n

This conference is organized within the cycle “Guerre et artistes du XXe si\u00e8cle” (“War and 20th century artists”)<\/a>, sponsored by the mus\u00e9e de l’Arm\u00e9e<\/a> in partnership with the Universit\u00e9 permanente de la Ville de Paris.<\/p>\n

It will take place on April 15th at 1:45pm at the Austerlitz Auditorium of the H\u00f4tel National des Invalides (129, rue de Grenelle, Paris, 7th arrondissement).<\/p>\n

Reservations are free and obligatory, by writing to the following address: histoire@musee-armee.fr.<\/p>\n

Click here<\/a> to listen to the conference.<\/p>\n","protected":false},"excerpt":{"rendered":"

In conjunction with the exhibition “Picasso et la guerre”, which opens on April 5 at the mus\u00e9e de l’Arm\u00e9e in Paris, Dr. Amanda Herold-Marme will give a conference in French entitled “Roberta Gonzalez: an artistic path forged by war”. This conference will recount the life and work of Roberta Gonzalez, an artist of French and […]<\/p>\n","protected":false},"author":8,"featured_media":7577,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[697,643],"tags":[],"class_list":["post-7594","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements-en","category-event"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=7594"}],"version-history":[{"count":6,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7594\/revisions"}],"predecessor-version":[{"id":8532,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7594\/revisions\/8532"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media\/7577"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=7594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=7594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=7594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}