{"id":7568,"date":"2019-03-12T16:20:34","date_gmt":"2019-03-12T15:20:34","guid":{"rendered":"https:\/\/juliogonzalez.org\/?p=7568"},"modified":"2020-04-24T13:45:43","modified_gmt":"2020-04-24T12:45:43","slug":"julio-and-roberta-gonzalez-in-picasso-and-exile-a-history-of-spanish-art-in-resistance-musee-des-abattoirs-toulouse","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2019\/03\/julio-and-roberta-gonzalez-in-picasso-and-exile-a-history-of-spanish-art-in-resistance-musee-des-abattoirs-toulouse\/","title":{"rendered":"Roberta &#038; Julio Gonz\u00e1lez in &#8220;Picasso and the Exodus&#8221;, mus\u00e9e les Abattoirs, Toulouse (March 15-Aug. 25, 2019)"},"content":{"rendered":"\n<p>Roberta and Julio Gonz\u00e1lez are represented with 18 works of art in the exhibition &#8220;Picasso and the Exodus. A History of Spanish Art in Resistance,&#8221; held at the Abattoirs museum of Toulouse from March 15 to August 25, 2019.  Their paintings, drawings and sculptures are displayed alongside artwork and photographs taken by the abstract painter Hans Hartung, Roberta Gonz\u00e1lez&#8217;s first husband, in a room especially devoted to the wartime creation of <a href=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/#.XpnL5ZMzY6g\">the Gonz\u00e1lez-Hartung family.<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"723\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/invitation-picasso-et-l-exil-Roberta-Gonzalez-copy-3-1024x723.jpg\" alt=\"\" class=\"wp-image-8526\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/invitation-picasso-et-l-exil-Roberta-Gonzalez-copy-3-1024x723.jpg 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/invitation-picasso-et-l-exil-Roberta-Gonzalez-copy-3-300x212.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/invitation-picasso-et-l-exil-Roberta-Gonzalez-copy-3-768x543.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/invitation-picasso-et-l-exil-Roberta-Gonzalez-copy-3-600x424.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/invitation-picasso-et-l-exil-Roberta-Gonzalez-copy-3-1536x1085.jpg 1536w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/invitation-picasso-et-l-exil-Roberta-Gonzalez-copy-3-145x102.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/invitation-picasso-et-l-exil-Roberta-Gonzalez-copy-3-24x17.jpg 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/invitation-picasso-et-l-exil-Roberta-Gonzalez-copy-3-36x25.jpg 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/invitation-picasso-et-l-exil-Roberta-Gonzalez-copy-3-48x34.jpg 48w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/invitation-picasso-et-l-exil-Roberta-Gonzalez-copy-3.jpg 1754w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Right: <em>Jeune fille s\u00e9v\u00e8re, <\/em>1937, by Roberta Gonz\u00e1lez<\/figcaption><\/figure>\n\n\n\n<p>This exhibition, which is inspired by\u00a0<em><a href=\"https:\/\/juliogonzalez.org\/en\/2018\/03\/16\/gonzalez-and-guernica-exhibition-musee-national-picasso-paris-march-27-july-29-2018\/#.XpnI1ZMzY6g\">Guernica,<\/a><\/em> held at Paris&#8217;s Picasso Museum in 2018, explores the artistic creation of Picasso and other pro-Republican artists in his entourage in Paris. It retraces his political engagement, as well as that of his compatriots like Julio Gonz\u00e1lez, which manifests itself most spectacularly in their works presented on the world stage at the Spanish Republican Pavilion during the 1937 World&#8217;s Fair in Paris.  Like her father, Roberta Gonz\u00e1lez&#8217;s work also testifies to her support for the Spanish people under fascist attack, often appropriating her father&#8217;s favored wartime motif of the Catalan peasant, or <em>Montserrat.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"706\" height=\"1024\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-706x1024.jpg\" alt=\"\" data-id=\"4571\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg.jpg\" data-link=\"https:\/\/juliogonzalez.org\/en\/catalogue\/la-montserrat-the-montserrat\/r_julio-gonzalez-la-montserrat-1936-1937-jpg-2\/\" class=\"wp-image-4571\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-706x1024.jpg 706w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-207x300.jpg 207w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-600x870.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-145x210.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-17x24.jpg 17w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-25x36.jpg 25w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg-33x48.jpg 33w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/R_julio-gonzalez-la-montserrat-1936-1937.jpg.jpg 745w\" sizes=\"auto, (max-width: 706px) 100vw, 706px\" \/><figcaption class=\"blocks-gallery-item__caption\">J. Gonz\u00e1lez, <em>La Montserrat<\/em>, 1937<br>Displayed at the Republican Pavillion of the Paris World Fair, 1937<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"1024\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Roberta-Gonzalez-675x1024.jpg\" alt=\"\" data-id=\"8163\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Roberta-Gonzalez.jpg\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/03\/12\/julio-and-roberta-gonzalez-in-picasso-and-exile-a-history-of-spanish-art-in-resistance-musee-des-abattoirs-toulouse\/roberta-gonzalez-2\/\" class=\"wp-image-8163\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Roberta-Gonzalez-675x1024.jpg 675w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Roberta-Gonzalez-198x300.jpg 198w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Roberta-Gonzalez-768x1166.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Roberta-Gonzalez-600x911.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Roberta-Gonzalez-138x210.jpg 138w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Roberta-Gonzalez-16x24.jpg 16w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Roberta-Gonzalez-24x36.jpg 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Roberta-Gonzalez-32x48.jpg 32w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Roberta-Gonzalez.jpg 1350w\" sizes=\"auto, (max-width: 675px) 100vw, 675px\" \/><figcaption class=\"blocks-gallery-item__caption\">Roberta Gonz\u00e1lez, Visage anguleux, 1937<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>The exhibition shows how they pursue this engagement in their artwork over the course of the Spanish Civil War, and through the Second World War. <\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"830\" height=\"1024\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-830x1024.jpg\" alt=\"\" data-id=\"8162\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez.jpg\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/03\/12\/julio-and-roberta-gonzalez-in-picasso-and-exile-a-history-of-spanish-art-in-resistance-musee-des-abattoirs-toulouse\/928aldeasa-119\/\" class=\"wp-image-8162\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-830x1024.jpg 830w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-243x300.jpg 243w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-768x948.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-600x740.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-145x179.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-19x24.jpg 19w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-29x36.jpg 29w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-39x48.jpg 39w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez.jpg 1556w\" sizes=\"auto, (max-width: 830px) 100vw, 830px\" \/><figcaption class=\"blocks-gallery-item__caption\">J. Gonz\u00e1lez, <em>Main droite lev\u00e9e, <\/em>1942<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/09\/Gonzalez-Montserrat-criant-1942-Barcelonne2009_098-683x1024.jpg\" alt=\"\" data-id=\"8157\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/09\/Gonzalez-Montserrat-criant-1942-Barcelonne2009_098.jpg\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/08\/20\/julio-gonzalez-goes-back-to-school\/gonzalez-montserrat-criant-1942-barcelonne2009_098\/\" class=\"wp-image-8157\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/09\/Gonzalez-Montserrat-criant-1942-Barcelonne2009_098-683x1024.jpg 683w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/09\/Gonzalez-Montserrat-criant-1942-Barcelonne2009_098-200x300.jpg 200w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/09\/Gonzalez-Montserrat-criant-1942-Barcelonne2009_098-768x1152.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/09\/Gonzalez-Montserrat-criant-1942-Barcelonne2009_098-600x900.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/09\/Gonzalez-Montserrat-criant-1942-Barcelonne2009_098-140x210.jpg 140w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/09\/Gonzalez-Montserrat-criant-1942-Barcelonne2009_098-16x24.jpg 16w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/09\/Gonzalez-Montserrat-criant-1942-Barcelonne2009_098-24x36.jpg 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/09\/Gonzalez-Montserrat-criant-1942-Barcelonne2009_098-32x48.jpg 32w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/09\/Gonzalez-Montserrat-criant-1942-Barcelonne2009_098.jpg 1280w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"blocks-gallery-item__caption\">J. Gonz\u00e1lez, <em>T\u00eate Monserrat criant<\/em>, 1942<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"429\" height=\"520\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939.png\" alt=\"\" data-id=\"8469\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/roberta-gonzalez-sans-titre-1939\/\" class=\"wp-image-8469\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939.png 429w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939-248x300.png 248w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939-145x176.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939-20x24.png 20w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939-30x36.png 30w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Roberta-Gonzalez-Sans-titre-1939-40x48.png 40w\" sizes=\"auto, (max-width: 429px) 100vw, 429px\" \/><figcaption class=\"blocks-gallery-item__caption\">R. Gonz\u00e1lez, <em>Sans titre<\/em>, 1939<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"941\" height=\"912\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-sans-titre-1939.png\" alt=\"\" data-id=\"8234\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-sans-titre-1939.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/a-propos-de-l-artiste\/roberta-gonzalez\/roberta-gonzalez-sans-titre-1939-2\/\" class=\"wp-image-8234\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-sans-titre-1939.png 941w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-sans-titre-1939-300x291.png 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-sans-titre-1939-768x744.png 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-sans-titre-1939-600x582.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-sans-titre-1939-145x141.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-sans-titre-1939-24x24.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-sans-titre-1939-36x36.png 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/03\/Roberta-Gonzalez-sans-titre-1939-48x48.png 48w\" sizes=\"auto, (max-width: 941px) 100vw, 941px\" \/><figcaption class=\"blocks-gallery-item__caption\">Roberta Gonz\u00e1lez, <em>Sans titre<\/em>, 1939<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>The politically-engaged works of artists like Picasso and Julio and Roberta Gonz\u00e1lez, who support the Republican cause from Paris, is confronted with those of artists who experience the war on the frontlines in Spain, like &#8220;soldier artists&#8221; Antoni Clav\u00e9 and Carles Fontser\u00e8.  Their military and artistic involvement force them into exile during the <em>Retirada<\/em>, the exodus of some 500,000 Spaniards following the fall of Catalonia in early 1939 which signals the defeat of the Republic.  Many exiled and pro-Republican artists represented in this exhibition benefitted from Picasso&#8217;s generous assistance during this difficult period. <\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"812\" height=\"583\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lasbouyges.png\" alt=\"\" data-id=\"8424\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lasbouyges.png\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/10\/09\/hans-hartung-at-the-musee-dart-moderne-de-la-ville-de-paris-oct-11-2019-to-march-1-2020\/famille-gonzalez-lasbouyges\/\" class=\"wp-image-8424\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lasbouyges.png 812w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lasbouyges-300x215.png 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lasbouyges-768x551.png 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lasbouyges-600x431.png 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lasbouyges-145x104.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lasbouyges-24x17.png 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lasbouyges-36x26.png 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/famille-Gonzalez-Lasbouyges-48x34.png 48w\" sizes=\"auto, (max-width: 812px) 100vw, 812px\" \/><figcaption class=\"blocks-gallery-item__caption\">Lola, Roberta, Pilar &amp; Julio Gonz\u00e1lez, Lasbouygues, ca. 1940-41<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"591\" height=\"854\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942.png\" alt=\"\" class=\"wp-image-8428\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942.png 591w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942-208x300.png 208w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942-145x210.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942-17x24.png 17w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942-25x36.png 25w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2020\/04\/Hartung-et-Roberta-Gonzalez-Lot-1942-33x48.png 33w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><figcaption>Hartung &amp; Roberta Gonz\u00e1lez-Hartung, Lasbouygues, 1942<\/figcaption><\/figure>\n\n\n\n<p>The drawings, paintings, sculptures and photographs of Roberta and Julio Gonz\u00e1lez presented in this exhibition date from their own exile in the Lot in Southwestern France. The Gonz\u00e1lez family takes refuge there ahead of the impending arrival of the Nazis in Paris in June 1940.  Hans Hartung, a German antifascist painter and Roberta Gonz\u00e1lez&#8217;s husband, was wanted by the Gestapo for having abandoned, then fought against his country in time of war. <\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"830\" height=\"1024\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-830x1024.jpg\" alt=\"\" data-id=\"8162\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez.jpg\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/03\/12\/julio-and-roberta-gonzalez-in-picasso-and-exile-a-history-of-spanish-art-in-resistance-musee-des-abattoirs-toulouse\/928aldeasa-119\/\" class=\"wp-image-8162\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-830x1024.jpg 830w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-243x300.jpg 243w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-768x948.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-600x740.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-145x179.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-19x24.jpg 19w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-29x36.jpg 29w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez-39x48.jpg 39w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Julio-Gonzalez.jpg 1556w\" sizes=\"auto, (max-width: 830px) 100vw, 830px\" \/><figcaption class=\"blocks-gallery-item__caption\">J. Gonz\u00e1lez, <em>Main droite lev\u00e9e, no. 2<\/em>, ca. 1941<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"796\" height=\"1024\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/julio-gonzalez-monsieur-cactus-homme-cactus-i-1939-1939-796x1024.jpg\" alt=\"\" data-id=\"4585\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/julio-gonzalez-monsieur-cactus-homme-cactus-i-1939-1939.jpg\" data-link=\"https:\/\/juliogonzalez.org\/en\/catalogue\/monsieur-cactus-homme-cactus-i-mister-cactus-cactus-man-i\/julio-gonzalez-monsieur-cactus-homme-cactus-i-1939-1939-2\/\" class=\"wp-image-4585\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/julio-gonzalez-monsieur-cactus-homme-cactus-i-1939-1939-796x1024.jpg 796w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/julio-gonzalez-monsieur-cactus-homme-cactus-i-1939-1939-233x300.jpg 233w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/julio-gonzalez-monsieur-cactus-homme-cactus-i-1939-1939-600x771.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/julio-gonzalez-monsieur-cactus-homme-cactus-i-1939-1939-145x186.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/julio-gonzalez-monsieur-cactus-homme-cactus-i-1939-1939-19x24.jpg 19w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/julio-gonzalez-monsieur-cactus-homme-cactus-i-1939-1939-28x36.jpg 28w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/julio-gonzalez-monsieur-cactus-homme-cactus-i-1939-1939-37x48.jpg 37w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2014\/09\/julio-gonzalez-monsieur-cactus-homme-cactus-i-1939-1939.jpg 840w\" sizes=\"auto, (max-width: 796px) 100vw, 796px\" \/><figcaption class=\"blocks-gallery-item__caption\">J. Gonz\u00e1lez, <em>Homme cactus<\/em>, 1939<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"692\" height=\"673\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Vierge_de_douleur-Roberta-et-Julio-Gonzalez.jpg\" alt=\"\" data-id=\"8168\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Vierge_de_douleur-Roberta-et-Julio-Gonzalez.jpg\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/03\/12\/julio-and-roberta-gonzalez-in-picasso-and-exile-a-history-of-spanish-art-in-resistance-musee-des-abattoirs-toulouse\/vierge_de_douleur-roberta-et-julio-gonzalez\/\" class=\"wp-image-8168\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Vierge_de_douleur-Roberta-et-Julio-Gonzalez.jpg 692w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Vierge_de_douleur-Roberta-et-Julio-Gonzalez-300x292.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Vierge_de_douleur-Roberta-et-Julio-Gonzalez-600x584.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Vierge_de_douleur-Roberta-et-Julio-Gonzalez-145x141.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Vierge_de_douleur-Roberta-et-Julio-Gonzalez-24x24.jpg 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Vierge_de_douleur-Roberta-et-Julio-Gonzalez-36x36.jpg 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/Vierge_de_douleur-Roberta-et-Julio-Gonzalez-48x48.jpg 48w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><figcaption class=\"blocks-gallery-item__caption\">Vierges douleureuses, Julio (L) &amp; Roberta (R) Gonz\u00e1lez<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Their artistic creation during this period reflects both their anguish in the face of the violence and uncertainty of the time, as well as a resistance to the dark forces that had taken control of Spain and then all of Europe. <\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"468\" height=\"624\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/sculptures-2-Julio-Gonzalez.jpg\" alt=\"\" data-id=\"8166\" data-full-url=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/sculptures-2-Julio-Gonzalez.jpg\" data-link=\"https:\/\/juliogonzalez.org\/en\/2019\/03\/12\/julio-and-roberta-gonzalez-in-picasso-and-exile-a-history-of-spanish-art-in-resistance-musee-des-abattoirs-toulouse\/sculptures-2-julio-gonzalez\/\" class=\"wp-image-8166\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/sculptures-2-Julio-Gonzalez.jpg 468w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/sculptures-2-Julio-Gonzalez-225x300.jpg 225w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/sculptures-2-Julio-Gonzalez-145x193.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/sculptures-2-Julio-Gonzalez-18x24.jpg 18w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/sculptures-2-Julio-Gonzalez-27x36.jpg 27w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/03\/sculptures-2-Julio-Gonzalez-36x48.jpg 36w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption\">Gonz\u00e1lez-Hartung room, &#8220;Picasso and the Exodus&#8221;, Toulouse, mus\u00e9e les Abattoirs<br>\u00a9 Sylvie Leonard \/ les Abattoirs, Toulouse (France) <\/figcaption><\/figure>\n\n\n\n<p>The war-era works displayed were complemented by the contemporary creation of more than twenty artists, which testify to the timeliness of this Spanish art in resistance.  <\/p>\n\n\n\n<p>The exhibition achieved record-breaking entrance numbers, and will be reproduced in Mexico City&#8217;s INBA museum, enlarging the scope to include and highlight Spanish republican exile in Latin America (dates TBC). <\/p>\n\n\n\n<p>Images below : \u00a9 Sylvie Leonard \/ les Abattoirs, Toulouse (France)<\/p>\n\n\n<div id=\"pl-gb7568-69dae7b25977c\"  class=\"panel-layout\" ><div id=\"pg-gb7568-69dae7b25977c-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb7568-69dae7b25977c-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb7568-69dae7b25977c-0-0-0\" class=\"so-panel widget widget_media_image panel-first-child\" data-index=\"0\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"192\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4559-1-300x192.jpg\" class=\"image wp-image-7668  attachment-medium size-medium\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4559-1-300x192.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4559-1-768x491.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4559-1-1024x654.jpg 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4559-1-600x383.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4559-1-145x93.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4559-1-24x15.jpg 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4559-1-36x23.jpg 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4559-1-48x31.jpg 48w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4559-1.jpg 1846w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><div id=\"panel-gb7568-69dae7b25977c-0-0-1\" class=\"so-panel widget widget_media_image panel-last-child\" data-index=\"1\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4553-300x200.jpg\" class=\"image wp-image-7662  attachment-medium size-medium\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4553-300x200.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4553-768x513.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4553-1024x683.jpg 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4553-600x400.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4553-145x97.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4553-24x16.jpg 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4553-36x24.jpg 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4553-48x32.jpg 48w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4553-272x182.jpg 272w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4553.jpg 1945w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><\/div><div id=\"pgc-gb7568-69dae7b25977c-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb7568-69dae7b25977c-0-1-0\" class=\"so-panel widget widget_media_image panel-first-child\" data-index=\"2\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4554-300x200.jpg\" class=\"image wp-image-7663  attachment-medium size-medium\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4554-300x200.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4554-768x513.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4554-1024x683.jpg 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4554-600x400.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4554-145x97.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4554-24x16.jpg 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4554-36x24.jpg 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4554-48x32.jpg 48w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4554-272x182.jpg 272w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4554.jpg 1945w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><div id=\"panel-gb7568-69dae7b25977c-0-1-1\" class=\"so-panel widget widget_media_image\" data-index=\"3\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4551-300x200.jpg\" class=\"image wp-image-7661  attachment-medium size-medium\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4551-300x200.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4551-768x513.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4551-1024x683.jpg 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4551-600x400.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4551-145x97.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4551-24x16.jpg 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4551-36x24.jpg 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4551-48x32.jpg 48w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4551-272x182.jpg 272w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4551.jpg 1945w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><div id=\"panel-gb7568-69dae7b25977c-0-1-2\" class=\"so-panel widget widget_media_image panel-last-child\" data-index=\"4\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4556-1-300x200.jpg\" class=\"image wp-image-7667  attachment-medium size-medium\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4556-1-300x200.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4556-1-768x513.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4556-1-1024x683.jpg 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4556-1-600x400.jpg 600w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4556-1-145x97.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4556-1-24x16.jpg 24w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4556-1-36x24.jpg 36w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4556-1-48x32.jpg 48w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4556-1-272x182.jpg 272w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2019\/04\/DSC_4556-1.jpg 1945w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div><\/div>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Roberta and Julio Gonz\u00e1lez are represented with 18 works of art in the exhibition &#8220;Picasso and the Exodus. A History of Spanish Art in Resistance,&#8221; held at the Abattoirs museum of Toulouse from March 15 to August 25, 2019. Their paintings, drawings and sculptures are displayed alongside artwork and photographs taken by the abstract painter [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":7557,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[640,696],"tags":[],"class_list":["post-7568","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-expositions-en"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=7568"}],"version-history":[{"count":13,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7568\/revisions"}],"predecessor-version":[{"id":8530,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/7568\/revisions\/8530"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media\/7557"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=7568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=7568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=7568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}