{"id":11843,"date":"2026-10-16T15:16:07","date_gmt":"2026-10-16T14:16:07","guid":{"rendered":"https:\/\/juliogonzalez.org\/2026\/10\/gonzalez-in-the-aesthetic-transition-spain-1960-2020\/"},"modified":"2026-10-16T15:20:01","modified_gmt":"2026-10-16T14:20:01","slug":"gonzalez-in-the-aesthetic-transition-spain-1960-2020","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2026\/10\/gonzalez-in-the-aesthetic-transition-spain-1960-2020\/","title":{"rendered":"Gonz\u00e1lez in &#8220;The Aesthetic Transition. Spain: 1960-2020&#8221;"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Gonz\u00e1lez is one of the artists featured in &#8220;The Aesthetic Transition. Spain: 1960-2020&#8221;, an exhibition that opened on October 16 at the Fundacion Juan March (Madrid).  This show retraces the delayed arrival of Spanish and international contemporary art in Franco&#8217;s Spain, and its subsequent public reception over the next six decades.  <\/p>\n\n<p class=\"wp-block-paragraph\">Gonz\u00e1lez, whose first posthumous Spanish exhibition took place in 1960 in Madrid and Barcelona, is represented by his &#8220;La Petite faucille&#8221; (1937), a hybrid figure emblematic of his resistance against Francoism and his solidarity with his compatriots.  <\/p>\n\n<p class=\"wp-block-paragraph\">Through January 10, 2027<\/p>\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gonz\u00e1lez is one of the artists featured in &#8220;The Aesthetic Transition. Spain: 1960-2020&#8221;, an exhibition that opened on October 16 at the Fundacion Juan March (Madrid). This show retraces the delayed arrival of Spanish and international contemporary art in Franco&#8217;s Spain, and its subsequent public reception over the next six decades. Gonz\u00e1lez, whose first posthumous [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":11841,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[640,696],"tags":[],"class_list":["post-11843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-expositions-en"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/11843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=11843"}],"version-history":[{"count":5,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/11843\/revisions"}],"predecessor-version":[{"id":11848,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/11843\/revisions\/11848"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media\/11841"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=11843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=11843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=11843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}