{"id":11759,"date":"2026-03-10T17:40:27","date_gmt":"2026-03-10T16:40:27","guid":{"rendered":"https:\/\/juliogonzalez.org\/2026\/03\/julio-gonzalez-in-don-quichotte-mucem-15-10-2026-30-03-2026\/"},"modified":"2026-03-20T17:41:36","modified_gmt":"2026-03-20T16:41:36","slug":"julio-gonzalez-in-don-quichotte-mucem-15-10-2026-30-03-2026","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2026\/03\/julio-gonzalez-in-don-quichotte-mucem-15-10-2026-30-03-2026\/","title":{"rendered":"Julio Gonzalez in &#8220;Don Quichotte&#8221;, MUCEM, 15\/10\/2026-30\/03\/2026"},"content":{"rendered":"\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td class=\"has-text-align-left\" data-align=\"left\">Julio Gonz\u00e1lez&#8217;s\u00a0<em>Don Quijote<\/em>\u00a0(c. 1930, iron) is on view through March 30, 2026 the MUCEM&#8217;s temporary exhibition on representations of this pivotal figure in Spanish culture. Gonzalez&#8217;s interpretation of the knight-errant, whose emtpy torso contrasts with his tall, proud stature, innovatively captures the Quijote&#8217;s dichotomy between grandeur and folly.\u00a0<\/td><\/tr><\/tbody><\/table><\/figure>\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"716\" height=\"816\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2026\/03\/Screenshot-2026-03-20-at-15.56.46.png\" alt=\"\" class=\"wp-image-11756\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2026\/03\/Screenshot-2026-03-20-at-15.56.46.png 716w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2026\/03\/Screenshot-2026-03-20-at-15.56.46-263x300.png 263w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2026\/03\/Screenshot-2026-03-20-at-15.56.46-145x165.png 145w\" sizes=\"auto, (max-width: 716px) 100vw, 716px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Julio Gonz\u00e1lez&#8217;s\u00a0Don Quijote\u00a0(c. 1930, iron) is on view through March 30, 2026 the MUCEM&#8217;s temporary exhibition on representations of this pivotal figure in Spanish culture. Gonzalez&#8217;s interpretation of the knight-errant, whose emtpy torso contrasts with his tall, proud stature, innovatively captures the Quijote&#8217;s dichotomy between grandeur and folly.\u00a0<\/p>\n","protected":false},"author":8,"featured_media":11755,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[640,696],"tags":[],"class_list":["post-11759","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-expositions-en"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/11759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=11759"}],"version-history":[{"count":3,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/11759\/revisions"}],"predecessor-version":[{"id":11762,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/11759\/revisions\/11762"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media\/11755"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=11759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=11759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=11759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}