{"id":11748,"date":"2026-03-20T17:35:49","date_gmt":"2026-03-20T16:35:49","guid":{"rendered":"https:\/\/juliogonzalez.org\/2026\/03\/women-in-the-word-of-julio-gonzalez-ivam-centre-julio-gonzalez-27-03-2026-28-02-2027\/"},"modified":"2026-03-20T17:48:01","modified_gmt":"2026-03-20T16:48:01","slug":"women-in-the-word-of-julio-gonzalez-ivam-centre-julio-gonzalez-27-03-2026-28-02-2027","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2026\/03\/women-in-the-word-of-julio-gonzalez-ivam-centre-julio-gonzalez-27-03-2026-28-02-2027\/","title":{"rendered":"&#8220;Women in the Work of Julio Gonzalez&#8221;, IVAM Centre Julio Gonzalez, 27\/03\/2026-28\/02\/2027"},"content":{"rendered":"\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td class=\"has-text-align-left\" data-align=\"left\">This new exhibition at the IVAM Centre Julio\u00a0Gonz\u00e1lez, curated by Brigitte L\u00e9al, former head of collections at the MNAM Centre Pompidou, explores for the first time the omnipresence of women in the work of Julio Gonz\u00e1lez: family portraits, depictions of women in modern life, \u00a0academic or abstract nudes, real and idealised figures, historical and political allegories, all form part of Gonz\u00e1lez\u2019s stylistic exploration of full to empty forms, from figuration to abstraction. \u00a0This chronological and thematic presentation of the collection underscores the major stages of his evolution, linking life and creation, intimacy and history.<br\/><br\/>The exhibition opens on March 27th&#8211;the date of\u00a0Gonz\u00e1lez&#8217;s death&#8211; and runs through February 28, 2027.<\/td><\/tr><tr><td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"779\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2026\/03\/Screenshot-2026-03-20-at-17.34.55-1024x779.png\" alt=\"\" class=\"wp-image-11745\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2026\/03\/Screenshot-2026-03-20-at-17.34.55-1024x779.png 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2026\/03\/Screenshot-2026-03-20-at-17.34.55-300x228.png 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2026\/03\/Screenshot-2026-03-20-at-17.34.55-768x584.png 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2026\/03\/Screenshot-2026-03-20-at-17.34.55-1536x1169.png 1536w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2026\/03\/Screenshot-2026-03-20-at-17.34.55-145x110.png 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2026\/03\/Screenshot-2026-03-20-at-17.34.55.png 1582w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>This new exhibition at the IVAM Centre Julio\u00a0Gonz\u00e1lez, curated by Brigitte L\u00e9al, former head of collections at the MNAM Centre Pompidou, explores for the first time the omnipresence of women in the work of Julio Gonz\u00e1lez: family portraits, depictions of women in modern life, \u00a0academic or abstract nudes, real and idealised figures, historical and political [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":11744,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[693,640,696],"tags":[],"class_list":["post-11748","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition-2","category-exhibition","category-expositions-en"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/11748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=11748"}],"version-history":[{"count":4,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/11748\/revisions"}],"predecessor-version":[{"id":11775,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/11748\/revisions\/11775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media\/11744"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=11748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=11748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=11748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}