{"id":11701,"date":"2025-07-04T10:31:18","date_gmt":"2025-07-04T09:31:18","guid":{"rendered":"https:\/\/juliogonzalez.org\/2025\/07\/face-to-face-roberta-gonzalez-sergio-de-castro-galerie-diane-de-polignac-7-7-25-27-9-25\/"},"modified":"2025-07-04T16:52:38","modified_gmt":"2025-07-04T15:52:38","slug":"face-to-face-roberta-gonzalez-sergio-de-castro-galerie-diane-de-polignac-7-7-25-27-9-25","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2025\/07\/face-to-face-roberta-gonzalez-sergio-de-castro-galerie-diane-de-polignac-7-7-25-27-9-25\/","title":{"rendered":"&#8220;Face to Face: Roberta Gonzalez &#038; Sergio de Castro&#8221;, galerie Diane de Polignac, 7.7 &#8211; 27.9.2025"},"content":{"rendered":"\n<p>Though <a href=\"https:\/\/dianedepolignac.com\/en\/home-gb\/artists-en\/roberta-gonzalez\/\">Roberta Gonz\u00e1lez<\/a> and Argentine artist Sergio de Castro may never have crossed paths, the parallels in their personal lives and artistic trajectories merit being brought to light.<\/p>\n\n<p>&#8220;<a href=\"https:\/\/dianedepolignac.com\/en\/home-gb\/exhibitions-en\/exhibition-roberta-gonzalez-sergio-de-castro-face-a-face-2025\/\">Roberta Gonzalez &amp; Sergio de Castro: Face to Face<\/a>&#8221; seeks to explore their work centred around the human figure in the context of the 1950s.<\/p>\n\n<p>Check out the catalogue <a href=\"https:\/\/dianedepolignac.com\/wp-content\/uploads\/2025\/06\/roberta-gonzalez-sergio-de-castro-face-a-face-catalogue-exposition-2025.pdf\">here!<\/a><\/p>\n\n<p>&#8220;Roberta Gonzalez &amp; Sergio de Castro: Face to face&#8221;, galerie Diane de Polignac, on veiw from July 7 through September 27, 2025.<\/p>\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Though Roberta Gonz\u00e1lez and Argentine artist Sergio de Castro may never have crossed paths, the parallels in their personal lives and artistic trajectories merit being brought to light. &#8220;Roberta Gonzalez &amp; Sergio de Castro: Face to Face&#8221; seeks to explore their work centred around the human figure in the context of the 1950s. Check out [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":11699,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[640,696],"tags":[],"class_list":["post-11701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-expositions-en"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/11701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=11701"}],"version-history":[{"count":6,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/11701\/revisions"}],"predecessor-version":[{"id":11722,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/11701\/revisions\/11722"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media\/11699"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=11701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=11701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=11701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}