{"id":10067,"date":"2024-07-09T16:41:36","date_gmt":"2024-07-09T15:41:36","guid":{"rendered":"https:\/\/juliogonzalez.org\/?p=10067"},"modified":"2024-07-10T11:17:50","modified_gmt":"2024-07-10T10:17:50","slug":"roberta-julio-gonzalez-at-the-musee-zervos-july-13-nov-15-2024","status":"publish","type":"post","link":"https:\/\/juliogonzalez.org\/en\/2024\/07\/roberta-julio-gonzalez-at-the-musee-zervos-july-13-nov-15-2024\/","title":{"rendered":"Julio &amp; Roberta Gonz\u00e1lez at the Mus\u00e9e Zervos, July 13-Nov. 15, 2024"},"content":{"rendered":"\n<p>The exposition &#8220;Julio Gonz\u00e1lez : L&#8217;\u00e9vidence de la v\u00e9rit\u00e9, le dessin dans l&#8217;espace&#8221; opens at the Mus\u00e9e Zervos (V\u00e9zelay, Bourgogne) on July 13 (through November 15, 2024).<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"10063\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/001.2-768x1024.jpg\" alt=\"\" class=\"wp-image-10063\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/001.2-768x1024.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/001.2-225x300.jpg 225w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/001.2-1152x1536.jpg 1152w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/001.2-1536x2048.jpg 1536w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/001.2-145x193.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/001.2-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"10080\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/028-1-768x1024.jpg\" alt=\"\" class=\"wp-image-10080\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/028-1-768x1024.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/028-1-225x300.jpg 225w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/028-1-1152x1536.jpg 1152w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/028-1-1536x2048.jpg 1536w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/028-1-145x193.jpg 145w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/028-1-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>This innovative exhibition retraces the relationship between Julio and Roberta Gonz\u00e1lez with Christian and Yvonne Zervos, emblematic figures of the Parisian avant-garde, and their prestigious revue and gallery &#8220;Cahiers d\u2019art&#8221;.  The show displays how Julio Gonz\u00e1lez&#8217;s revolutionary sculpture was promoted by &#8220;Cahiers d&#8217;art&#8221;, alongside other works by the &#8220;Spanish School of Paris&#8221;, including artists like Francisco Bores, Pancho Cossio, Ismael Gonzalez de la Serna, Luis Fernandez and of course, Pablo Picasso. <\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"10056\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/026-1024x768.jpg\" alt=\"\" class=\"wp-image-10056\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/026-1024x768.jpg 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/026-300x225.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/026-768x576.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/026-1536x1152.jpg 1536w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/026-2048x1536.jpg 2048w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/026-145x109.jpg 145w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"710\" data-id=\"10058\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/027-1024x710.jpg\" alt=\"\" class=\"wp-image-10058\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/027-1024x710.jpg 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/027-300x208.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/027-768x533.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/027-1536x1066.jpg 1536w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/027-2048x1421.jpg 2048w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/027-145x101.jpg 145w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>A gallery is also dedicated to Roberta Gonz\u00e1lez&#8217;s production, which retraces her evolution from cubo-surrealist painting, influenced by her father, to her dynamic and colorful personal paintings of the late 1950s and 1960s.  The exhibition places a special focus on the artistic and personal ties between Roberta and the Zervos&#8217;s, particularly Yvonne.  Works displayed include a series of portraits of Yvonne executed by Roberta during a stay in their home in V\u00e9zelay in summer 1952.  <\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"719\" data-id=\"10078\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/039-1024x719.jpg\" alt=\"\" class=\"wp-image-10078\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/039-1024x719.jpg 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/039-300x211.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/039-768x539.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/039-1536x1079.jpg 1536w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/039-2048x1439.jpg 2048w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/039-145x102.jpg 145w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"10072\" src=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/035-1024x768.jpg\" alt=\"\" class=\"wp-image-10072\" srcset=\"https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/035-1024x768.jpg 1024w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/035-300x225.jpg 300w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/035-768x576.jpg 768w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/035-1536x1152.jpg 1536w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/035-2048x1536.jpg 2048w, https:\/\/juliogonzalez.org\/wp-content\/uploads\/2024\/07\/035-145x109.jpg 145w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>The exhibition reiterates Julio and Roberta Gonz\u00e1lez&#8217;s place within the Parisian avant-garde.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The exposition &#8220;Julio Gonz\u00e1lez : L&#8217;\u00e9vidence de la v\u00e9rit\u00e9, le dessin dans l&#8217;espace&#8221; opens at the Mus\u00e9e Zervos (V\u00e9zelay, Bourgogne) on July 13 (through November 15, 2024). This innovative exhibition retraces the relationship between Julio and Roberta Gonz\u00e1lez with Christian and Yvonne Zervos, emblematic figures of the Parisian avant-garde, and their prestigious revue and gallery [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":10065,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[693,640,696],"tags":[],"class_list":["post-10067","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition-2","category-exhibition","category-expositions-en"],"_links":{"self":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/10067","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/comments?post=10067"}],"version-history":[{"count":4,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/10067\/revisions"}],"predecessor-version":[{"id":10086,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/posts\/10067\/revisions\/10086"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media\/10065"}],"wp:attachment":[{"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/media?parent=10067"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/categories?post=10067"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliogonzalez.org\/en\/wp-json\/wp\/v2\/tags?post=10067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}